Introduction to 2018 NBC Annual Report

The close of 2018 marked another consecutive year of growth for the National Book Council with further increase in government funding, and new services and projects granted under its remit. With all the new targets and additional tasks, this was one of the most challenging years so far.

For the very first time in Malta, in September, together with the International ISBN Agency, we have organised the ISBN and ISMN Annual General Meeting. 72 delegates representing 49 different ISBN agencies around the world attended the conference. It was a great experience hosting this prestigious and important event, which was very successful and served as an excellent means to contributing to put our country on the international map of the book industry.

The most daunting test during the year was meeting the performance targets we had set on the Malta Book Festival. Separate halls were allocated to publishers and booksellers, and having doubled the exhibition space as compared to last year had put on us the challenge of exponentially increasing the attendance rates. Most of our targets were achieved, having in particular hit once again record sales and increased attendance rates. In particular, the number of schools and students attending the Festival this year has significantly grown. The expansion of the exhibition space was only possible thanks to the considerable increase in government funding. This was a necessary requirement as part of our commitment to keep boosting the Festival as a source of revenue for the publishers – thus offsetting losses in brick-andmortar sales.

Year 2018 saw a larger reach of our promotional and literary export efforts outside Malta, in particular in Europe and the Arab region. An important part of our work is brokering publishing deals and providing translation funds, as well as facilitating direct-export funding, for instance by sending authors abroad to festivals and book fairs. Foreign publishers releasing translated Maltese literature are also supported in various ways. For instance, translation funds are allocated yearly to various projects, and in 2018 we have commissioned three different language translations (Arabic, Italian and English) of the work of our national poet Dun Karm. Finding professional translators from Maltese into other languages can prove to be a daunting task, but we are working towards commissioning two more translations in order to fulfil the government’s electoral manifesto obligation to translate Dun Karm in a total of five different languages.

This year round we have increased public lending rights payments and capped the maximum amount to €5,000 to ensure that there is more value in distribution. Money prizes for the National Book Prize have also increased, and our aim is to further boost them in 2019, as we value our authors’ work and their need to be able eventually manage to earn a living from writing and book sales. Public funding and increased strategic coordination with the book industry stakeholders is a means to help increase revenues, and we have ensured our work with authors and publishers alike in various fields is progressively intensified.

According to the legal notice published in 2017, the National Book Council as a representative body of the publishing industry stakeholders was obliged to hold yearly consultation meetings with authors and publishers. The meetings were held for the first time in 2018 and were successful and productive. We are looking forward to the 2019 meetings, where we expect more publishers and authors to attend and voice their requests and concerns.

We have also started preparations for the renovations the 16th century baroque palace that he government allocated to the National Book Council. The palace will host a museum of literature, a bookshop that will serve as a cultural agent, and the head office of the National Book Council. Works on the palace will start next year after the restoration plans and tendering process are completed and approved. Our plans to restore the palace back to its original state had to change, as we encountered a stumbling block when new plans had to be drawn up as the Attorney-General’s office, our new neighbour, refused to transfer to the National Book Council the British-era addition on the roof of our palace: this connects their building to our palace, but actually belongs to us.

We have kept our audio-visual projects ongoing throughout the year with a radio programme on Radju Malta and a five-minute programme on TVM every week. Eventually, PBS dropped the TVM programme and gave us a ten-minute daily slot on TVM2. Economic priorities may lead us to drop the programme on TVM2 (especially since TVM2 attracts very low audience rates according to the Broadcasting Authority report), but we expect to launch a completely new product in 2019. As a matter of fact, we plan to keep producing audiovisual work to promote authors for commercial and public broadcasting, but we also intend to keep expanding our film projects based on literature. To date the NBC Short-film Literary Contest has been a great success and all winning films have participated in festivals abroad.

The growth in the employee number (administrative and management staff ) remained conservative as compared to 2017, but a bigger team is a priority, even if central government is not being very forthcoming when it comes to our HR requests. Public funding for the National Book Council’s projects in 2019 will hit the all-time record of more than €910,000 (which excludes the restoration works of the palace). The government’s continued financial support to the National Book Council is the government seal of approval for the success of our work.

We have also been very busy on the copyright issues in the Digital-Single Market Directive, lobbying in favour of authors with regards to article 12, and lobbying in favour of authors and publishers with regards to articles 11 and 13. We have been the first EU-member state to initiate a compromise debate on article 12 at a EU Council level, and we also thank the central government for backing the National Book Council in all of our stances and successfully delivering them during the EU Council discussions.

We are looking forward to 2019. More projects and bigger challenges await us. As well as strengthening our domestic reach, we intend to start increasing our work abroad. The local book industry is facing various challenges, but never before has the National Book Council been such a key player in it. We will keep on working towards our goals and following our vision, while remaining humble, accessible and transparent.

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Malta’s economy and its underlying problems from a fundamental viewpoint

valletta wikiLabour is riding a wave of economic growth, but what lies behind this economic success and what is in store for Maltas economy in the future? What is happening on the ground and what do the numbers really tell us?

From 2013 to 2017, Maltas GDP grew by an average of 6.8 per cent per year, an impressive sum considering the slow growth taking place in the EU across these years and the ensuing global economic and political challenges. Labour, aided by low-oil prices, has managed to create a very open, flexible and thriving business market. Numbers dont lie and indeed it is true that at face value the economy is doing well. However, behind the numbers showing rapid economic growth, there are also other numbers that show deeply-embedded structural problems which could easily lead into social crisis.

Prime-Minister Joseph Muscat has successfully implemented a third-way, centrist and post-fordist economic model by theoretically bringing an economic compromise between the interests of one economic class and the others. The main principles of this economic model are industrial peace, a welfare system that provides the essential layers of protection to the vulnerable sections of society, and a free market that is freely accessible to all businesses and individuals.

Muscat has implemented his vision in practice in a multi-pronged manner with the underlying principle of prioritising an increase in expenditure through the market. Income tax has been progressively reduced, except for the highest-income bracket, inducing in turn higher expenditure levels in the economy. Red-tape and bureaucracy for businesses have been reduced to a great extent, while building regulations have been reduced exponentially, thus allowing a construction boom that seems to have no end in sight. More foreign companies and workers have relocated to Malta and have significantly contributed to the the increase of governments taxation revenue by 32 per cent in 2016 compared to its 2013 level. Economic growth was registered mostly in the services sector, but the construction industry – which now compromises 4 per cent of GDP – and the real-estate industry – comprising of 5 per cent of GDP – also grew substantially. In 2017 alone 8,513 apartments were built as opposed to the 2062 apartments built in 2013. The gaming industry, which currently comprises 12 per cent of GDP at around 1.2 billion in nominal terms, registered sustained growth along the years along with the tourism at 6.1 per cent of GDP and retail and catering at 21 per cent of GDP. Agriculture and industrial production in electronic components and pharmaceuticals have kept their long-term decline.

Expenditure in the welfare state has increased considerably with recurrent expenditure on health and education in 2019 to amount at an average of 59 per cent higher than 2013 levels. The education system has been revamped and the health sector has been improved drastically cutting waiting lists across all its services. Free childcare was also introduced and energy prices have been lowered compared to pre-2013 levels. Government has also exponentially increased its spending on culture and the arts. Unemploymenr rate in 2018 stood at 3.8 per cent.

Structural changes in the energy sector also heavily affected the economy and these should be noted. Enemalta, which was entering bankruptcy territory in 2013, had been bailed out with a Chinese investment in exchange for a minority stake in the company, while a new gas-powered plant was built to diversify energy supply, and contribute to long-term security and lower prices. The gas deal was also overshadowed in a corruption scandal in which ex-Minister of Energy Konrad Mizzi and Prime Ministers Chief of Staff Keith Schembri were alleged to take kickbacks via 17 Black, a company owned by Tumas Group CEO and Electrogas Director Yorgen Fenech (Electrogas is the consortium which owns and supplies the gas-fired plant in Delimara). The allegations have been recently backed up by exposing emails by Nexia BT (the accountants of Mizzi and Schembri who opened shell-companies in Panama for them) that state that Mizzi and Schembri were to receive a million euros each from 17 Black.

The gas corruption scandal has overshadowed a significant structural adjustment to the economy that helped boost growth. Government has no longer restricted large capital projects to particular Maltese oligarchs. Labour has opened up government procurement and has reduced systematic preferential treatment to a number of Maltese oligarchs. Systemic preferential treatment has also been wavered when it comes to permits and government deals. This is also the reason why Muscat keeps receiving strong support from a middle-class base, which traditionally had been PN, and why he is perceived to have opened the economy to all. This doesnt mean that Labour is not using its power of incumbency to provide preferential treatment to some of its supporters. Nepotism and preferential treatment do not appear to have been eradicated. What Muscat has changed was the rigid structural system of preferential treatment to particular oligarchs through government bureaucracy and State structures. At the same time, Muscat is trying to ensure to appease most of the big businesses by allowing them to expand their projects and giving them even more land deals, while at the same time allowing smaller competitors to access to government deals and procurement. Muscat has perfectly projected himself as a leader who allows open and accessible business to all: to oligarchs and small-businesses alike.

The structural government system of preferential treatment under PN had allowed for the growth of local oligarchs at the expense of public property and assets, and it was part of a broader raison dêtre in how the economy was run, by basically sustaining a debt-ridden government by selling off state assets. Muscat also ended the State fire-sale policy , but the 30-year concession to St. Luke’s, Karen Grech, and Gozo Hospital to a private company by then Minister of Health, Konrad Mizzi, had opened the government to accusations it intended to privatise the health sector. Mizzi’s successor as health minister, Chris Fearne, has as of now refused to entertain the idea of further private concessions in the health sector and instead focused on ramping up the budget of public health. It must yet be seen what Fearne’s long-term plans for the health-sector are, but his recent meetings with local magnate Żaren Vassallo may also indicate that Fearne may plan further public-private partnerships in the health sector. On the other hand, Konrad Mizzi, who is now Minister of Tourism, has as of now refused to sell the national airline and is making efforts to salvage it after years of malpractice under PN governments. Government has also purchased 49 per cent of Lombard Bank and increased its share-holding in Bank of Valletta with capital raised from passport sales, practically going against the the fire-sale trend of public-assets unless one would consider Konrad Mizzi’s foray into the health sector.

When Labour entered office in 2013, it inherited a heavily indebted State-energy company and a heavily indebted government with a stagnant economy. The layers of security to Maltas debt are multifaceted, but the main layer of defence is the fact that public debt is held through bonds, most of which are locally owned. A strong home ownership rate along with a cheap housing market had also enabled people to survive the recession of 2009, while local banks were not exposed to risk and had ample assets at their disposal. Labour has managed to begin reducing the deficit, while the debt to GDP ratio has decreased significantly from 68.7 in 2013 to 50.8 in 2017. This decrease is owed to the strong increase in governments recurrent revenue, but, as of now, government also has the comfort of sponsoring large chunks of capital projects – especially infrastructural projects with money made from passport sales. Government debt in 2013 was calculated at 5 billion and in September 2017 debt was calculated at 5.8 billion. Government revenue and expenditure in 2013 was 3 billion and 3.2 billion respectively, and in 2017 was 4.3 billion and 4.1 billion respectively producing enough a surplus to start repaying debt (different data sets may give different figures, but are all consistent with a significant surplus).

The numbers of the economy tell a story of a strong and growing economy, although one would do well to still worry about debt levels. Austerity policies would not solve the public debt problem, and they would in turn create a social crisis. Government needs to ensure that the economy keeps growing so as to sustain its increasing revenue levels, but this could only be done if economic forces produce consistent growth levels. In textbook economics, a sustained economic growth without slumps is the exception rather than the rule, and thus government should seek to minimise its risks by diversification while simultaneously emphasising and prioritising economic growth, which is sustained by productive forces rather than speculative forces (that are more prone to risk). Currently, the government is ignoring the social and economic risks that come by with growth through speculative forces. One should also not ignore the potential economic problems brought by potential corruption practices and government-lead private-public deals which give low public returns, thus auditing and transparent practices are also important for material ends.

Government has been wise enough to build a symbiotic relationship with the gaming industry, through an efficient legal regime that enables it to operate efficiently and competitively. Government has also tried to build a symbiotic relationship with the construction and real-estate industries, which have had their profits increase exponentially at a large social and environmental cost, and minimal economic return compared to other industries. And as the construction industry is going in overdrive, one would naturally assume the property prices would be also increasing. Here we find the seeds of an incoming social crisis. Wages in Malta have increased by an average of 20 per cent in five years. From an average wage of 1,600 in 2013, the average wage today has risen to 1,800. The minimum wage has risen from 648 in 2013 to 747 in 2018, but the value of property, compared to its 2013 level, has increased by 100 per cent in most areas, with some areas even increasing at higher levels. According to NSO statistics, by 2016 in order to purchase a property in the cheapest areas, one had to be on an income of at least 20,000 – even higher than the national average.

Government has so far refused to consider the option of price controls in the rental market, but it has begun preparations for the construction of social housing units and aims to introduce a basic regulatory framework in the rental market. Ideally, social-housing should go to those who are mostly in need, prioritising first on pensioners, retirees, disabled, victims of abuse and single parents in the low-income brackets, but social housing units may not even be sufficient to cater for all of the low-income bracket. Even the average wage by itself is not enough to purchase a property, hence condemning single people with an average wage to remain in the rental market. Although property prices may not increase as much as they did between 2014 and 2017, the ever-increasing demand to property in Malta and the lack of land ensures that property prices may very well keep increasing. Moreover, if the economy intends to keep growing in the services and tourism industries, a sustained increase in foreign workers and property buyers attracted through the said industries will only contribute to higher demand in property. At the same time, government has to ensure that the value of property doesn’t compromise the competitiveness of foreign businesses in Malta. The price of property was, for example, one of the factors which had incentivised many companies and hedge funds to move from London to Malta.

The main factor that has so far averted a housing crisis is the very high home-ownership of 78 per cent, but at current inflation levels there is a long-term limit to how much the children of home-owning parents will be able to use their parentscapital to become home-owners as well. In the long-term, the current discrepancy between the average wage and the property value will contribute to a situation where tomorrows families will be, in average, less rich than their peers in real terms. On the other hand, the lowest-income bracket group has been hit severely adding severe pressure on homeless shelters and charitable institutions. If the construction and real-estate industries is allowed to work unregulated, the housing crisis will only unfold gradually with ever decreasing rates of home-ownership in the long term. If Maltese people lost their possibility to own a home, social mobility would decrease, which would in turn enable for a higher gap between social classes. Further in the long term, the housing crisis would also be bad to the economy, given that the economic dividend of money spent in goods and services is higher in real value than the profit dividend in money spent in rent. In the short term, Labour should also raise the minimum wage so as to help those who have been hit in the hardest manner.

Clearly, there is a market-dysfunction in which the construction and real-estate industries are growing at a significant social and economic cost. If government is to implement controls in the rental market and intervene in the housing market in a multi-pronged manner, the rate of profit in the real-estate and construction industries may decrease in the short-term, but it may also keep it competitive in the long-term. Such a course of action is inevitable if we are see to a reversal in the decline of the home-ownership rate. The fact that government has refused to stop the multiple pending applications for fuel pumps in outside-development zones shows the difficult stage the situation has reached. There is nothing that can justify such a rampant form of development with meagre short-term profits. A case in point is the low public dividend in exchange of DB’ Group and Corinthia’s land deals of Pembroke and St Julians respectively.

Back in the 1970s, when Malta had socialism and double-digit GDP growth rates, Labour solved a housing crisis that was much more extensive than todays. Labour built many social-housing units aimed for the most vulnerable and lower-income brackets, but it also built many housing units that were then sold at an affordable price to average-wage earners. In this way, Labour ensured that everyone could have a house by simultaneously managing to stabilise market prices. Unless current government starts regulating property speculation through price control or by building an extensive number of affordable housing, housing affordability will remain on the downside both in the short term and the long term.

Government should drop its obsession with the hazardous construction and real estate industries and instead start seeking foreign capital investment that is actually productive. Manufacturing, IT and hi-tech industries are growing in Eastern Europe. Croatia is home to a local company that produces electric cars. While companies in Canada are reaping multi-million dollars in revenue for the cultivation of marijuana, we still fail to see the economic and environmental potential of Malta having a fully-fledged marijuana cultivation industry. We have not yet even begun seriously considering to getting into the renewable energy sector. Productive capital investment will not come from local sources. In Malta, the industrial capitalist is an exception rather than the rule. Yet, if high-tech production industries are making a comeback in Eastern Europe, there is no reason why we shouldnt be attracting such kind of foreign capital to Malta.

Government has done well by reverting previous austerity policies and increasing the contribution to the welfare state, but it is also clear that a large section of the population, composed of low-income earners and pensioners are at serious risk of poverty. Further discussion on Malta’s economic model is needed to ensure that we have an economic plan that works for all and not just for the few. After all, Labour should dictate its economic policy in line with its traditional principles of social justice. One main principle that should lie at the heart of Labours economic policy is that economic growth should be an end to social and economic emancipation and not strictly an end to private profits. If Labour keeps the balance right, it can legitimately claim to be left-wing.

Statistics sourced from Central Bank of Malta, National Statistics Office and Ministry of Finance.

Rokit crosses genre boundaries with award-winning novel

Loranne Vella’s Rokit, published by Merlin Publishers, won the National Book Prize 2018 in the category Novels in Maltese and English against the run of play. The final results have been close to call until the very end of the adjudication deadline.

The odds were higher for other participants, and in particular Gioele Galea with the deep mystical and spiritual musings in his memoir Tħabbat Xtaqtek (Horizons). With this rare book in the Maltese literary canon, Galea gave a new voice to Maltese literature by producing a humbling, moving, deeply introspective spiritual memoir that is delivered in a poised and paternal writing away from the well-known patronising tones of similar literature.

Yet, albeit such a decision-making process is by definition a complex endeavour, particularly when it involves high-level competitors, the National Book Prize judges eventually had no doubts and bestowed the prize upon Loranne Vella.

With Rokit, Loranne Vella distinguished herself with yet another prize-winning novel that crosses genre boundaries between adult and young adults fiction. Vella is well-known for her trilogy It-Triloġija tal-Fiddien, a fantasy saga co-written with Simon Bartolo. Aimed at teenagers, Vella and Bartolo’s trilogy was an all-out bestseller that also captivated an adult audience. This time round, Loranne Vella wrote a novel for adults – which unwittingly reads like a coming-of-age novel for teenagers. Rokit has all the ingredients to make it an appealing read to teenagers and adults alike.

Benjamin, one of the main characters of the novel, leaves his house during his teenage years to join the resistance in a world fraught with chaos, war and climate catastrophe.

The story is based in the late 21st century Malta, which has by then reverted back to foreign subjugation. Malta begins to be gradually depopulated due to forced migration, and the island is beset with food-shortages, a total ban on electronic communications, and desert storms. The setting is dystopian, but the narrator of the story, who eventually reveals herself to be a protagonist in the story, keeps the tone of the narrative optimistic and friendly, leaving the reader hoping for a positive closure to the dramatic story.

Although the setting and the background of the story is dark and the characters live in oppressive conditions, they have close relationships and warm feelings towards each other while enjoying a certain degree of freedom throughout the story. In brief, by not offering an Orwellian dark atmosphere, Rokit proves instead to be a fantasy novel with an adventurous spirit, in which the element of fantasy manages to leave a glimmer of light in the darkness.

The narrator does not go into detail on the political, social and economic ramifications of the background setting. The narrator prefers to focus more on the development and emotions of the characters, thus making the novel even more accessible to young readers. As Benjamin comes of age, we learn of his feelings towards his father, his mother, his family, the world and himself. We get to know of his struggles.

Through the interesting interaction between characters, whose relationship unfold and develop along with the plot, the reader is led to a fantastic ending through a dystopian and chaotic labyrinth of events. The plot is enticing and not too overtly complex, which allows the reader to be curiously left wondering what happens next. Halfway through the novel the reader gets to finally encounter the rocket that gives the title to the novel, and to understand its important significance to the story.

Loranne Vella has established herself as one of the major Maltese novelists for teenagers and made her name in the fantasy genre – a somewhat endearing feat considering how challenging it may prove to be to win the attention of teenagers.

The adult fiction genre today is becoming increasingly difficult to tag as age brackets in novels tend to have looser age limits, and young readers tend to access adult fiction at an increasingly younger age. Loranne Vella has successfully created a fantasy genre for adults that is more accessible to young adults and a page-turner, proving once again that classifying a title into just one genre can straight-jacket it and limit its appeal.

https://www.maltatoday.com.mt/comment/blogs/91758/rokit_crosses_genre_boundaries_with_awardwinning_novel?fbclid=IwAR1UOCPilQ9lv1KsK5EH5WCpm67BD-tJchSxVVSdHKzqIBKRYe_2qCX_vgA#

The importance of the Malta Book Festival

I was very excited about this year’s Malta Book Festival, and the unusual jitters I got right before the event started faded as soon as the Festival opened its doors to the public on Wednesday last week. For the first time, the Book Festival at the Mediterranean Conference Centre had double the exhibition space as compared to last year.

Separate halls were allocated to publishers and booksellers, thus allowing us to make the exhibition space twice as large. We had already hit record sales and attendance in 2015, which have been kept ever since, but this year the Festival registered yet another exponential increase in its visitor numbers.

It is with pride that I say that this year the National Book Council has once again reached its targets. The Malta Book Festival was marked by new records thanks to the hard work of the Council’s team and of course of all the participants, who contributed to making this year’s edition a success. We will keep moving in the direction we have taken.

The Malta Book Fair was changed into the Malta Book Festival in 2013 in order to give it a new life, and today the Festival has acquired the prestigious status of one of the most important annual events on the island. The event is meant, first and foremost, to help publishers increase their source of revenue in a time when bookstores are increasingly adding food, drinks and gadgets to their bookshelves.

If publishers do well, so do authors, and booksellers play an important role in the process. The National Book Council always encourages their participation in the Malta Book Festival, and this time round some booksellers actually increased their sales despite having their exhibition space moved to a different location.

Besides its commercial aspect, the Festival is all about learning, culture and entertainment. The Malta Book Festival provides a genuine cheerful atmosphere to its visitors and book buying becomes a social and cultural experience. The ever-growing number of events and authors (local and international) participating in the Festival is among others a key ingredient that makes it truly special.

The number of schools participating in the morning activities has also increased over the years, reaching its all-time records during this edition. The Festival aims at complementing the education system by making sure that children see books and knowledge as fun, and not necessarily as the instruments of a rigid school system. The National Book Council takes pride in witnessing this change of direction, and in looking at children picking up books, exploring new worlds, learning – and actually enjoying it.

We are driven by a passion for books, and our commitment is to see that our society improves by ensuring the children of today keep reading tomorrow when they are adults. This is the future the National Book Council strives to build. We may well have a rapid economic growth and various booming industries, but society can never develop fully unless people read.

It is for this reason that the Government is taking the work of the National Book Council very seriously. Never before has the book industry received such strong and direct support from the Government and I am confident the Government will continue in this direction. The overall success of the Malta Book Festival is not only due to the National Book Council’s work, but also to a genuine increased interest in books and culture.

https://www.maltatoday.com.mt/comment/blogs/91086/the_importance_of__the_malta_book_festival?fbclid=IwAR35IQy9u6xz0x7-qUaPUquBhmUvtWsAkyMPTsa3jprY4B7dBwEnGbWLC_o#.W_Zvjd-YUnQ

Creating a centre for books in Valletta

Books are the most important tool for the educational, cultural and intellectual growth of a society, therefore it was rather disappointing to have witnessed, during the last two decades, the closing down of most of Malta’s independent bookshops.

These bookshops were essential to the local publishing industry’s infrastructure because they acted not only as points of sale, but also as cultural and marketing agents – which today the Maltese book market is lacking. Amazon has in the past been responsible for taking away a large chunk of revenue from independent bookshops, but nowadays, all over Europe, independent bookshops are making a comeback. Despite the surge of online book retail, the independent brick and mortar bookshop is still a perquisite to every book industry infrastructure.

As more people opted to buy books online, local bookshops took a hit and Maltese consumers increasingly became less exposed to Maltese books. Local publishers are now adapting to this market environment by increasing their investment in online websites, pushing home the concept of purchasing Maltese books online. As part of our long-term vision, the National Book Council has supported publishers by investing in the Malta Book Festival to turn it into a major source of revenue for publishers, thus successfully hitting record sales in 2016, and preserving the record sales rate in 2017.

Our sales target for the Book Festival this year is to double it. If on the one hand other new sources of revenue for Maltese publishers are the planned (such as the long-awaited education licences and peripheral book fairs such as the Book Festival on Campus), we believe that no measure other than the creation of a permanent bookshop that acts as a cultural and marketing agent can satisfy the need for a literary space. It is there that, among other things, Maltese literature can have the kind of exposure it both deserves and needs.

Valletta’s last standing bookshops, two of them part of the Agenda book-chain, which practically dominates the retail book industry, are just a handful of pockets of resistance in an increasingly gentrified city. Yet, these pockets are a far-cry from what the local publishing industry needs in terms of exposure and commercial activity. Currently, Valletta provides ample infrastructure for theatre and art, but authors and publishers, which collectively form part of Malta’s biggest creative sector in terms of economic value, are under-represented.

Unfortunately, the exponential rise of property prices in Valletta has basically created a situation where the local publishing industry is prohibited from penetrating the capital city and representing itself equally to other cultural sectors that enjoy an all-year round presence. Currently, Valletta is the only capital city in Europe without a bookshop that doubles as a cultural space. The National Book Council sees it as its proper duty to address this deficiency. Here, it is not only the economic survival of the local publishing industry that is at stake. Given that the local publishing industry is not just a commercial industry, but the main seed from which the intellectual and cultural development of a nation can grow, a book centre that actively promotes its authors and literary-heritage in the capital city is a perquisite for our society itself.

The current government has acknowledged this problem and in order to address it, it has allocated a 16th century baroque palace in Valletta to the National Book Council. We intend to restore the palace to its former glory and turn it into an exceptional book centre accessible to all and free of charge. Apart from hosting the offices of the National Book Council, the palace will be used as a space for a museum of literature, a centre for literary activities and a bookshop leased to a private entity (on the condition that it acts as a cultural and marketing agent).

This new book centre will be a great asset to the local book industry, a major source of revenue for local publishers, a new hangout for youths and a historic attraction for the general public. The book centre will also open its doors to schools and children and serve as an educational hub for the general community. There is no doubt the successful implementation of this project will be one of government’s most important cultural and educational milestones.

https://www.maltatoday.com.mt/comment/blogs/88401/creating_a_centre_for_books_in_valletta#.W1heZN9fgnR

Why copyright in the DSM Directive should be saved

The vote of the European Parliament against the European Commission’s proposed Copyright directive in the Digital-Single Market was received with shock by the European publishing and culture industries.

Although the directive itself is complex to the extent that it may be interpreted in different ways, and some of it is admittedly contentious on practical and technical grounds, the directive’s regulatory framework aimed at harmonising copyright laws with the digital and online world, and at shifting the balance of power from online internet institutional and corporate titans in favour of European cultural stakeholders and publishers.

Internet titans such as Google, Mozilla and Wikipedia railed against the directive while the Pirate Party led a Europe-wide campaign against it, citing ‘freedom of expression’ as one of the main concerns. In this vein, Julia Reda, MEP and Pirate Party member has claimed that the directive “would limit freedom of expression, harm independent creators, small publishers and start-ups, and boost fake news – serving, if at all, the special interests of a few big corporations.”

Apart from being empirically incorrect, Reda’s obfuscated perspective on the directive is driven by abstract ideological motivations, and she is wittingly or unwittingly serving internet titans. In reality, the directive provides various safeguards for authors and publishers, including the right of authors to receive full account of their sales, the right of collective bargaining with internet websites for cultural stakeholders and publishers, and the right of authors and publishers to be properly compensated when their work is used for commercial ends on the internet.

The directive also provides various copyright exceptions for education purposes to libraries and heritage institutions while reiterating the right of publishers to negotiate for licences. The latest version, drafted by EU Parliament committee rapporteur Axel Voss, also included a compromise between authors and publishers on article 12.

Articles 11 and 13 seem to have been the most contested articles of the directive and incidentally they are the articles which very clearly shift the balance of power from internet titans to the culture and publishing industry. Article 11 provides a neighbouring right for press publishers and puts an obligation on information-sharing websites to pay press publishers for their use of content. The aim of the article is clearly intended at news aggregation, and the article puts an emphasis on the aspect of commercial use, but critics say that it would affect hit users with a “link tax”.

In reality article 11 does not regulate the base of internet users, and clearly excludes hyperlinking. Instead it provides press publishers the right to negotiate with information-sharing websites for their use of content. Article 11 wouldn’t have affected the general user, but it would have given greater leeway for European publishers to negotiate contracts and licences with US internet titans such as Google. Admittedly, article 11 is contentious on technical grounds given that, if publishers used article 11 to put an obligation on Google for the listing of searches with the aim of offsetting advertising revenues from the use of mobile devices, Google may as well retaliate by removing the publishers’ search results straight away. So, it is true that on practical and technical grounds, article 11 may be very contentious, but on a point of principle, politicians should always be on the side of European press publishers when economic disagreements arise between US internet titans and European publishing and culture industries.

This is not about free speech, or about restricting some kind of information, but about an economic imbalance of power in the online and digital world dominated by US titans. Let’s not delude ourselves that the online world and its economic structures are democratic – they are not. The economic relationships of the online world, that is relationship between the consumer or user and the online seller or provider, are not based on the collective will of millions of internet users. They are instead conditioned by internet monopolies such as Google, Amazon and Facebook, which incidentally today also happen to be some of the biggest companies in the world and as powerful and effective as to provide services and products which have changed our lives and economies.

On the other hand, article 13 does not put an obligation to install upload filters as commonly stated by opponents to the directive, but it does put the burden on internet content-sharing websites to pro-actively prevent protected content from being uploaded and distributed online. Article 13 also gives the right to culture stakeholders to negotiate for licences with internet-content sharing websites and what this means is that internet monopolies may no longer be able to unilaterally set the value of the payments to rights-holders – YouTube is a case in point which forces artists to accept its value of payments unilaterally due to its sheer monopoly power. Such a step would be greatly effective in curbing the tide of power these monopolies are riding and thereby act in favour of our local industries.

Until this vote took place, the EU parliament and the EU Commission had consistently tried to rein in on internet monopolies which are unilaterally setting the market rules. With all its faults and serious economic problems, the EU has proved itself an effective institutional power able to regulate corporate monopolies, and it is in this spirit that the directive should be saved.

Now, European publishers and culture stakeholders should try and take a leading role in pressuring for a reasonable compromise without giving away too much. Certain safeguards could easily be added without compromising the proposed balance of power – there can be safeguards against the link tax that do not jeopardise publisher rights and safeguards against upload filters that would not compromise the liability of content-sharing websites for rights infringement and the illegal sharing of content. It may take some time to conceive of a radical new way the online world would work, but doing nothing is certainly not an option. The massive influx of propaganda against this directive produced by internet titans and delivered by their servants, the Pirate Party, have to be fought back with a strong educational and information campaign.

https://www.maltatoday.com.mt/comment/blogs/88233/why_copyright_in_the_dsm_directive_should_be_saved#.W0xhJp9fgnQ

Statement by the executive chairman of the National Book Council on the EU Directive on copyright in the Digital Single Market

The no vote passed by the European Parliament on the Copyright in the Digital Single Market Directive was unexpected. The directive was a rational compromise between European creators and publishers which, basically, would have harmonised European copyright laws with the online world. The vote has inflicted irreparable damage on European culture industries.

The directive was not going to change the fundamental concepts of copyright use in Europe, but the no vote was unexpected mostly due to the fact that the directive would have provided a series of safeguards for European artists, authors, creators and publishers. Some of these safeguards included economic transparency by publishers, the right of collective management organisations and creators to negotiate licenses with internet content-sharing websites, and the right of authors and publishers to demand royalties on the commercial use of their work.

In some way or another most of the European stakeholders were in favour of the directive, and only the internet pirate movement along with corporate internet giants were campaigning against it. Most of us were surprised to learn that politicians would actually fall prey to the same campaign of obfuscation launched by the pirate movement, which claimed many gullible web users, spreading panic among the poorly-informed. The agitators in this movement seem to be unwittingly or wittingly reckless, wrecking havoc for the sake of promoting a ultimately shallow and banal ideology.

Claims that this directive would have brought a ban on memes and enabled Hollywood firms to tail Facebook users for sharing movie stills are but a few examples of this campaign of obfuscation and misinformation.

Better educational campaigns on copyright are needed for sure. If there is one thing stakeholders in the industry have learned today, it is that copyright needs to be explained and promoted so as to prevent the pirate movement from running roughshod, wrecking the culture industries. As for those who think of themselves as liberals, or leftist, they should think well which side they should subscribe to. There are two options – either you are in favour of empowering artists and creators by supporting their right to increase their labour-value, or you will take the side of those who want to undermine the labour-value of the artists and create a world where memes are the only art form we can enjoy.

http://ktieb.org.mt/statement-by-the-executive-chairman-of-the-national-book-council-on-the-eu-copyright-directive-on-copyright-in-the-digital-single-market/