Recently, a film producer who was awarded a PBS and Arts Council grant of €100,000 to produce a dramatic film about Carmelo Borg Pisani, went on record saying that we need to tell the story of Carmelo Borg Pisani with an “open mind”. The film producer will be using public funds to create a dramatic film on Borg Pisani based on a poorly-researched book by Laurence Mizzi, which portrays Borg Pisani as an admirable person with views too romantic to be dangerous.

In the 1940s, as Jews, Russians and Europeans alike were forced into a war not of their own making by Nazi Germany and Fascist Italy, the victims of war did not have the privilege to think about Nazis and Fascists with an open mind. With Europe under the yoke of Nazi Germany and its fascist allies, Jews were faced with genocide on an industrial scale and Western Russians had to fight against the threat of military annihilation. Historical revisionism cannot be more grating and objectionable as when it attempts to relieve the guilt from perpetrators of some of the most horrible crimes in history.

It is beyond shameful and outrageous that the Arts Council and PBS should award such a coveted grant to a project of historical revisionism. Borg Pisani was a fascist and a traitor whose decision to spy on Malta for the Italians during the height of the Second World War was taken on by him in full conviction of his perverse and fascist beliefs. The facts are well known and presenting them otherwise for the sake of being “open minded” is outright dishonesty. In PBS’s statement, made by the chairman of the adjudication board which awarded the grant, Tony Cassar Darien, not even once was it mentioned that Borg Pisani was a fascist.

These are indeed the worst of times for public broadcasting in Malta. From the Kim Kardashian Reality-TV clone show of Benjamin Camilleri (apparently, Ben Camille as he describes himself), to prime time Xarabank waging outright war on the education system, and publicly-funded films revising the history of noted fascists and convicted traitors, PBS has reached a level of decadence unprecedented even by our abysmal standards. Yet, the Minister of Culture, Owen Bonnici, seems unperturbed by all this. He seems to share those same populist views that Peppi Azzopardi of Xarabank fame publicly espouses: since we have freedom of speech anything may go on the public broadcaster.

The point of having a public broadcaster is to provide citizens with a service of news, information, education and culture. A public broadcaster should not be used with the sole aim of entertaining the masses, and such kind of thinking is so perverse that it may theoretically justify the broadcasting of hardcore pornography. The populist views upheld by Peppi Azzopardi and his likes are actually in tune with the idea of public broadcasting under dictatorships. It is under dictatorships that public broadcasting is used to broadcast safe and brainless entertainment, shallow programming with little or no relevant information at all, puerile and insular political debates, and dramatic art with a revisionist agenda. Here in Malta we have a public broadcaster which would make a tin-pot South East Asian dictator proud.

The malaise afflicting the public broadcaster is no different from the blight that has befallen the Arts Council and the Valletta 18 Foundation. The motivation underpinning their allocation of funds does not seem to emerge from an informed vision. Decisions are not being made on the basis of sound educational and cultural principles, but simply on the need to support the vanity projects of friends and allies of politicians and officials in power. And this is why incompetent people are being appointed to high positions within important State institutions by the Ministry of Culture or by the appointees of the minister.

Take for example the adjudication board which granted the money to produce the Carmelo Borg Pisani film. It was composed of Audrey Harrison, an ex-MEPA employee who was then employed at the Film Commission by the Labour government and who appears on IMDB as an actress in one feature film; Anthony Attard, who is the executive director of the Arts Council and has background in theatre; and a priest called Joseph Henry Abela, who apparently has published a book on how people should live their lives. The chairman of the adjudication board, Tony Cassar Darien, is a playwright who writes slapstick drama, the kind you would see and read without needing the help of any grey matter to digest it. Basically, no one on the adjudication board knows jack about cinema and history and yet these people had the authority to grant the €100,000 fund. Insane.

All this is happening as we are heading toward the year when Valletta will be honoured with the title of Capital City of Culture. With a public broadcaster in shambles and cultural institutions under the management of incompetent people, V18 will come and go and will leave no tangible heritage.

The government should realise that nobody cares about the vanity projects of a couple of airheads. Culture can only be strengthened in the long term if we provide capital expenditure to invest in the cultural infrastructure, including the public broadcaster. Recurrent expenditure will come and go, but speaking about these concepts to many officials in PBS and other cultural entities is like speaking Cantonese to a Maltese who can hardly speak and write in Maltese, let alone Cantonese.

The Minister of Culture should sit back, take a deep breath and begin his reality check. This state of shambles cannot go on forever and if everybody in the culture industry, except for the minister’s cronies, are saying the same thing, then something is surely amiss. After all, the Labour Party has been elected into office to do better than this.

http://www.maltatoday.com.mt/comment/blogs/79523/worst_of_times_for_public_broadcasting#.WYlVV59NwnR

The recently released Arts Council and the National Statistics Office Cultural Participation Survey shows a 44% figure for persons who have read at least one whole book during the last 12 months. The survey on cultural participation is based on a sample of around 1,000 positive replies approximately divided per capita, according to Malta’s regions. The survey is on whether people have read a book, went to the cinema or a film-screening, listen to the radio, visited an art gallery, watched a play or engaged in these same cultural activities and others, including parish feasts.

This survey is a commendable yet rare exercise. Scientific surveys on culture are always welcome and Etienne Caruana at NSO, who for years has coordinated cultural statistics, should be commended for his work. Admittedly, public functionaries in education and culture have to work with a dearth of statistical data and scientific studies and the work of professionals like Caruana should be intensified and extended both at a central level, meaning at NSO, and in ministries and public entities. Since the Cultural Participation Survey is a rare exercise, it is even more important to commission other surveys on culture to obtain the best scientific result possible. One can easily cast doubts on aspects of the results of a survey if it stands alone, without being corroborated with other surveys on the same subject.

I would not be so fast as to jump to pessimistic conclusions on the basis of the 44% figure. As a matter of fact, I have some doubts about its accuracy, although I might be proved wrong if more surveys are commissioned and they all corroborate the same figure. Still, the Eurobarometer survey of 2013 had marked a 55% readership rate of books, recording an increase of 10% from the 2007 figure. The increasing readership rate was then corroborated with an increasing trend in book consumption and imports. Thus, overall we had very good reasons why to be optimistic of readership rates and book consumption.

The new 44% figure does not decrease my optimism. One has to admit that the same Cultural Participation Survey gives reasons to be optimistic. The survey indicates that it is the young who form the greatest chunk of the reading population. If the young generation is more likely to read books than their progenitors, then an upward trend in readership rates could be in the offing. This argument can be challenged by the fact that once young people have children, they might abandon many of their activities.

We also still have to wait to see the full benefits of the massive literacy and reading campaigns which have been initiated at a primary school level by the previous Labour administration. The National Book Council has played a small and yet crucial role in this strategy by giving out free book tokens to school children who attend the Book Festival in November and ensuring that the Festival inspires a positive outlook to reading and books in children and young teenagers.

School and class libraries are also being filled to the brim with books. The raison d’etre behind this drive is simple: catch them when they are young. Promoting the importance of reading and books to the general public is still a government priority and this is how the National Book Council comes into the formula. This is why under my chairmanship, the Book Council has spent considerable sums of its budgets in both print and online media, TV programmes, and even adverts and marketing drives on social media.

The survey also gives us the possibility to ask more questions and this is another reason why more detailed surveys are needed. Assuming both the Eurobarometer and the Cultural Participation are accurate, is there a chunk of readers who may read books intermittently according to what books are published? Fifty Shades of Grey might be a case a point.

If one were to assume this survey is accurate, then surely this should serve as a wake-up call for the government to increase exponentially the budget for the National Book Council. Under the previous Nationalist administrations, the book industry was all but ignored on a policy level, with the result that most of the cultural funding went to theatre, music and other cultural sectors, leaving the book sector completely out. Catching up with lost time and opportunity is difficult when the priorities had been set before one comes to office. Moving funds from one sector to another is also a bone of contention and a political issue, so any funding we receive is over and above the funding which has already been previously prioritised by government policy.

Books are not just a cultural segment offering enjoyment and an experience. Books are a pre-requisite for the educational and intellectual development of a society. A low readership rate should be a wake-up call for a government to pool its resources and step up its efforts in education, literacy and book promotion.

http://www.maltatoday.com.mt/comment/blogs/78501/maltas_low_readership_is_a_wakeup_call_for_the_government#.WVO4xh9NwnR